Julia Fordham – The Language of Love

According to singer-songwriter Julia Fordham, Ella Fitzgerald set the standard when it comes to tackling standards so she had to turn to other source material for her forthcoming collection, “The Language of Love,” which will receive its U.S. and European release on April 14 from Red River Entertainment with distribution via BFD/Sony RED.

“As the Queen of Jazz, Ella Fitzgerald, has already covered every traditional jazz song to perfection, we tried to find a new angle and hopefully put a fresh twist on some of our favorite songs,” the British-born, Los Angeles-based artist said.

Along with producer-arranger Grant Mitchell, Fordham culled a set list of modern pop, rock and R&B classics and revamped them as if they were pages from the Great American Songbook. The misty-voiced singer seductively emotes nine signature hits from the likes of Blondie, Eurythmics, Sting, The Beatles and Stevie Wonder in intimate acoustic jazz settings. She also reconfigured her own debut hit, “Happy Ever After,” and introduces a pair of new tunes – “Like You Used To Do” and “The Morning After (The Night With You)” – that she penned for the occasion with Mitchell.

Throughout “The Language of Love,” Fordham regally plies her deep-hued vocals on tracks that swing (“Call Me” and “Alone Again (Naturally)”), seduce through sultry bossa nova grooves (“Who’s That Girl” and “At Seventeen”), traverse a multicultural world music grid (“Happy Ever After”) and pitter-patter gracefully to a Latin jazz rhythm embellished by a sterling nylon guitar serenade by Ramon Stagnaro (“Fragile”). “I’m Not In Love” becomes a stunning torch song while a stark depiction of “Eleanor Rigby” strikes a hauntingly dramatic tone in a voice, piano and upright bass incarnation. “Sir Duke” bops to a groovy jazz beat highlighted by Wonder’s original “Songs in the Key of Life” tour trumpeter, Harry Kim. The lone tune taken from the Great America Songbook era is “Moon River,” a timeless, heart-tugging beauty written by Henry Mancini and Johnny Mercer. As for the new originals, “Like You Used To Do” is a steamy affair heated by soulful backing vocals from Judith Owen and Sista Jean McClain. A taut rhythm section comprised of David Piltch (upright bass), Herman Matthews (drums) and Ramon Yslas (percussion) construct a subtle Latin vibe on “The Morning After (The Night With You).”

Two bonus tracks, “You Make Me Feel Like Dancing” and “Moon River” orchestrated with strings, will be available exclusively with the digital purchase of the album. Videos for “Call Me,” “Who’s That Girl,” “Eleanor Rigby” and “At Seventeen” were created and will soon be made available for viewing. Fordham will support “The Language of Love” with concert dates in London on July 28 & 29 at The Strand at PizzaExpress Live, October 18 in Los Angeles at Catalina Jazz Club and October 27 & 28 in New York City at Joe’s Pub.

Fordham said she selected “The Language of Love” as the album title because “it seemed to conjure up a romantic image and the seductive feeling of the album.” The words are the opening lyrics of “Who’s That Girl” and are mentioned in the bridge section of “Call Me.”

Although she grew up writing and singing folk music in clubs since she was 14 in Portsmouth, England, Fordham discovered jazz shortly thereafter and has always incorporated nuances of jazz throughout her recording career that began with her eponymously-titled 1988 release. Her global hit “Love Moves” was featured in 1992’s “The Butcher’s Wife” starring Demi Moore. After relocating to Los Angeles two years later, three of Fordham’s albums were produced by four-time Grammy winner Larry Klein (Joni Mitchell, Herbie Hancock, Madeleine Peyroux). Her 2005 live CD (“That’s Life”) and DVD (“That’s Live”) featured a stellar ensemble including Klein on bass and Academy Award-winning trumpeter/composer Mark Isham, and showcased Fordham dueting with multiple Grammy winner India.Aire. For additional information, please visit http://www.JuliaFordham.com.

“The Language of Love” contains the following songs:

“Call Me”

“Who’s That Girl”

“Happy Ever After”

“I’m Not In Love”

“Alone Again (Naturally)”

“Fragile”

“Like You Used To Do”

“Eleanor Rigby”

“The Morning After (The Night With You)”

“At Seventeen”

“Sir Duke”

“Moon River”

Bonus Tracks – Digital Only

“You Make Me Feel Like Dancing”

“Moon River (with strings)”

Source: Great Scott Productions

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Lindsey Webster – Back To Your Heart

Growing up in an artist community, the daughter of loving hippie parents, in Woodstock NY, the allure of music was never far from Lindsey Webster. The adorable, instantly likable and earthy singer/songwriter, who grew up listening to her parent’s Jimi Hendrix, Beatles and Elvis Costello LPs and later the Supremes, once pursued medical school before finally settling on music. Webster has been taking the contemporary jazz world by storm, scoring a #1 hit with her soulful original “Fool Me Once.” This feat is remarkable in numerous ways. Not only is Lindsey half the age of the male instrumentalists who dominate the genre, but her #1 is the first vocal driven song that has topped the Billboard smooth jazz chart since Sade’s “Soldier of Love” in 2010. Lindsey exclaims, “This honor has changed the game for me. Once a dream comes into fruition, it really lights a fire.”

November 4, 2016, Shanachie Entertainment will release Webster’s anticipated label debut, Back To Your Heart. Randall Grass, Shanachie Entertainment General Manager states, “Lindsey Webster is an extraordinary vocalist who effortlessly melds R&B and jazz in a uniquely appealing ‘jazzy soul’ style that instantly connects with audiences and the world is already taking notice!” Influenced by everyone from Mariah Carey and Christina Aguilera to Steely Dan and Earth Wind and Fire, there is an honesty and authenticity that reverberates through Lindsey Webster’s enchanting, smoky, rich and soulful honey-toned pipes.

Joining forces with her husband, pianist and musical partner, Keith Slattery, the duo crafts evocative soundscapes that fuse the best elements of R&B, jazz, pop and soul. “The knowledge, style and intuition that Keith brings to my songs is amazing,” says Lindsey of her husband. “Keith and I are extremely passionate and sensitive people who put the same pride and perfectionism into our writing, recording, and producing. Our philosophy is simple, we do what feels right. I believe this is what has helped us to forge our own sound.”

The lead single on Back To Your Heart is the album’s title track. It’s an intoxicating and emotive number that sizzles and a song that Webster said wrote itself. “Keith was coming up with the idea for the chorus upstairs on his keyboard one day and I was downstairs cleaning,” she shares. “Once he got the chord progression going and played it a few times, the words ‘You gotta show me the way back to your heart’ popped into my head.” Back To Your Heart is a revealing and intimate portrait of Lindsey Webster’s life.

There are songs like “On Our Way,” about Lindsey’s personal path and the principals of the Laws of Attraction and her heartfelt and moving tribute to her mother Barbara, who passed in 2014. “One At A Time,” was inspired by the Black Lives Matter movement and an inspirational speech that saxophonist Kirk Whalum (who guests on the song) gave at one of his concerts about the power of everyday Americans. Lindsey shares, “I realized that one person at a time is how we are going to come to some kind of peace. We have to love and respect and embrace our differences in order to get to the inner peace we need to create widespread peace.” Lindsey’s mission is to make an emotional connection with her fans. Somewhat of an old-soul, the young singer concludes, “With all the pop tunes out nowadays, literally about nothing, I think it’s important to hold the torch for the artists before us who found it important to write real music.” With the release of Back To Your Heart, Lindsey Webster is poised to find her way into your heart…and this is just the beginning!

Source: Shanachie Entertainment