Smooth soul singer Selina Albright comfortable and confident enough to “Eat Something”

conversations

While a song about the joy of packing on a few pounds and a widening booty may seem contrary to the messages bombarding the popular music and media landscapes, smooth soul singer Selina Albright’s “Eat Something” is instantly resonating with fans and radio programmers, including SiriusXM Watercolors’ Dave Koz Lounge, which will feature the song on the February 5 national broadcast. The mid-tempo adult R&B song bolstered by guitarist Kay-Ta Matsuno’s crafty touch is the lead single from Albright’s first full-length album, the very personal “Conversations,” which will be released March 17 by Golden Rays Music with preorders beginning February 1 on iTunes.

“Over the past few years, I’ve noticed that I’ve reprioritized my life and stopped putting so much emphasis on doing and being what’s most acceptable to others, and instead focused more on appreciating and expressing who I’ve become. Getting to that place in my life inspired me to write about topics I normally wouldn’t, such as ‘Eat Something.’ I know it’s unconventional to write a song about being so happy that you gain weight from eating more, but there’s a freedom in the candor of the lyrics. There was no way I was going to change that. It was far too special,” said Albright, who selected the heartening cut as the first single based upon the immediate and rousing response she receives whenever performing the song in concert and from the fervent reaction from her “FanFamily” on social media.

Describing the custom-tailored blend of sensual soul and sultry jazz album as “my own therapeutic diary through joy, betrayal, liberation and hope, all written without holding back,” Albright wrote the lyrics for all nine original tunes and co-produced three tracks on “Conversations.” Her subject matters are based upon intimate and probing conversations she’s had, shared as if she’s confiding in a close friend. Whether skillfully unleashing the full power and magnitude of her gravity-defying voice or harnessing her passion in a reassuring caress, Albright’s demeanor remains sunny and glowing on uplifting numbers like “Possible” and “Highest High.” Even when confronting weightier subjects head on like she does on “Wifey Anthem (You Don’t Have To Fight At Home)” and “Victim,” her inherent optimism remains present and undaunted. “Let Go” also is wrought with emotion and includes dramatic flute flourishes from multiple Grammy nominee Gerald Albright, Selina’s father. The disc’s lone cover is a stripped down, jazzy take on “If I Were A Boy” with accompaniment by contemporary jazz hit-maker Peter White on acoustic guitar and Randy Ellis (Stevie Wonder, Beyoncé) on sax. Also contributing to the date are producers Chris “Big Dog” Davis and James “JRob” Roberson as well as guitarist David P. Stevens.

To help launch the album, Albright will perform at three record release parties: February 12 at Spaghettini in Seal Beach, California, April 6 at the Berks Jazz Fest in Reading, Pennsylvania and April 15 at The Soiled Dove Underground in Denver, Colorado. The Southern California show is already nearly sold-out.

Born and raised in Los Angeles, California, Albright was reared in the jazz and R&B scene, making her first appearance singing on one of her father’s albums twenty years ago. She has since sung on several of his collections, including penning lyrics and singing on the Grammy-nominated “24/7,” a 2012 duet set from the chart-topping saxophonist and Grammy-winning guitarist Norman Brown. Oozing stage presence, exuberance and captivating charisma, Albright has made her own name while singing on records and stages around the world, shining brightly amidst a galaxy of contemporary jazz stars and R&B legends that spans Brian Culbertson, David Benoit, Dave Koz, Kirk Whalum, David Sanborn, Boney James, Richard Elliot and Rick Braun to Chaka Khan, Will Downing, Regina Belle, The Temptations, Hugh Masakela and the late George Duke. In an entirely different setting, she injected her soul-powered energy into the electronic dance music world by collaborating with Manufactured Superstars, leading to a performance with the internationally-revered DJ duo at Las Vegas’ Electric Daisy Carnival in 2011. Recording as a solo artist, Albright placed the spirited jazz original “You and I” on the iTunes Top 100 Singles Downloads in 2010. A few years later, she topped the soul chart in the United Kingdom for four weeks with her R&B/soul single “Brighter.” Last year, Albright primed the marketplace for “Conversations” by issuing “Sun Comes Up,” which outpaced her previous singles.

“Conversations” contains the following songs:

“Eat Something” (featuring Kay-Ta Matsuno)

“Possible”

“If I Were A Boy” (featuring Randy Ellis)

“Talk To Her”

“Highest High”

“Wifey Anthem (You Don’t Have To Fight At Home)” (featuring David P. Stevens)

“Search My Name”

“Victim”

“Let Go” (featuring Gerald Albright)

“Uncharted Love”

Source: Great Scott Productions

Paul Brown – One Way Back

paul-brown-one-way-back-square-cover

Grammy-winning hit-maker Paul Brown follows his heart “Back” to his roots

Paul Brown has had the Midas touch since the early ‘90s when he began producing some of the biggest contemporary jazz hits and definitive chart-topping albums by the brightest urban-jazz stars in the galaxy, amassing more than 60 Billboard No. 1 singles. In the past twelve years, the guitarist stepped forward as an artist in his own right, consistently cranking out hits of his own. Although his formative recordings established the sound of the smoother side of contemporary jazz for more than two decades, Brown yearned to reconnect with his first musical passion: the blues. On Friday, Woodward Avenue Records issued his eighth solo collection, “One Way Back,” a self-produced ten-track outing on which he followed his heart back to his blues roots.

“There was only one way back to my roots and that was to go down every road and embrace each one of them in order to find my way back to where I began,” said Brown, a two-time Grammy winner who wrote nine new tunes for the disc that was preceded by a reimagined take on Joe Sample’s party starter “Put It Where You Want It,” currently bulleted at No. 8 on the Billboard singles chart.

Bubbling under Brown’s clean and cool electric jazz guitar expressions throughout “One Way Back” are blues-powered keyboard and Hammond B3 organ blasts courtesy of the similarly-named Brother Paul Brown (no relation) and stacks of muscular horn section workouts from saxophonist Greg Vail and trumpeter-horn arranger Lee Thornberg. Having enjoyed a tremendous amount of success producing signature hits for saxophonists Boney James, Kirk Whalum, Euge Groove and Jessy J, Brown invited label mate saxman Darren Rahn to guest on “Sexy Thang.” Guitar fans will rejoice that four cuts – “Piccadilly Circus,” “River Walk,” “Take Flight” and “Rear View Mirror”- spotlight Brown trading stringed barbs with contemporary jazz guitar sensations Chris Standring, Marc Antoine, Peter White and Chuck Loeb respectively. Standring, Antoine and White stand apart using the voice of nylon guitars while Fourplay’s Loeb emotes deftly on jazz guitar. The session boasts a roof-raising gospel-jazz vocal from Don Bryant on the celebratory juke joint original “Well Alright.” Brown himself takes to the mic to croon the intimate “Heaven,” a poignant, heart-on-the-sleeve country-blues album closer spotlighting the artist’s character-rich voice.

“’One Way Back’ is a journey thru my musical and life experiences. This album is a pure sense of expression and everything I’ve got to give,” said Brown before adding, “I’m a much better guitarist, producer and writer now than ever before.”

Born and raised in Los Angeles, Calif., initially Brown was a drummer before picking up the guitar. After learning his way around the recording studio, he became the engineer for R&B legends Diana Ross, Luther Vandross and Aretha Franklin. Moving over into the producer’s seat, Brown almost single-handedly architected the sound of smooth/contemporary jazz since the 1990s before delivering his solo debut in 2004, “Up Front.” From subsequent albums, three of which went Top 10, two singles -2005’s “Winelight” and 2007’s “The Rhythm Method” – were the most-played radio songs of their respective years. Concert performances around the world enabled him to refine and develop his guitar chops as well as cultivate his fan base far beyond the limiting confines of a recording studio. For more information, please visit www.PaulBrownJazz.com.

 

Brown’s “One Way Back” album contains the following songs:

 

“Put It Where You Want It”

“Sexy Thang” (featuring Darren Rahn)

“Hush”

“Piccadilly Circus” (featuring Chris Standring)

“River Walk” (featuring Marc Antoine)

“Well Alright” (featuring Don Bryant)

“Take Flight” (featuring Peter White)

“One Way Back”

“Rear View Mirror” (featuring Chuck Loeb)

“Heaven”

Source: Woodward Records

Bob Baldwin – The Brazilian-American Soundtrack

As recollections of Olympian accomplishments fade into our memories, the music of Rio via Grammy-nominated keyboardist Bob Baldwin’s (www.BobBaldwin.com) “The Brazilian-American Soundtrack” continues to thrive, casting a vibrant and soulful spell of urban-jazz bliss. The critically-acclaimed, 26-song double CD is riding a wave of critical acclaim and multi-format radio spins. Multi-instrumentalist Baldwin meticulously produced and arranged the collection of twenty of his original songs along with a selection of seminal Brazilian jazz classics and R&B hits. Clocking in at more than two hours of sophisticated music, Baldwin’s lavish opus debuted as one of Billboard’s Top 20 Contemporary Jazz Albums and is capable of having the staying power to soar through 2017.

 

The new disc reignites Baldwin’s affair with the seductive and sensual sounds of Brazil, which first served as his muse on his 2004 love letter, “Brazil Chill.” Three years in the making and recorded on two continents, “The Brazilian-American Soundtrack” is presented in two movements: Rio-Ipanema and New York. Baldwin employed an accomplished cast of Brazilian and Latin musicians – percussionists Café Da Silva, Rafael Pereira and Armando Marcal, and guitarist Torcuato Mariano – to construct the exotic rhythms on tunes such as the energizing first single, “Ipanema Fusion,” “Funky Rio,” “Teardrop” and “Oasis Of Love,” and when reimaging music from masters Antonio Carlos Jobim (“Corcovado”), Ivan Lins (“Anjo De Mim,” “The Island” and “Love Dance”) and Djavan (“Eu Te Devoro”). Baldwin uses first-call session players, vocalists and prominent soloists – Marion Meadows (sax), Gabriel Mark Hasselbach (trumpet) and Marlon McClain (guitar) to name a few – to craft soul-soaked, funk-flavored urban grooves including a pair of tunes (“Maurice” and “The Message”) that pay tribute to Maurice White, the influential creator and leader of Earth, Wind & Fire, who passed away as Baldwin was finishing the record.

 

On “The Brazilian-American Soundtrack,” melody-rich explorations abound anchored by Baldwin’s agile keyboard, Rhodes and piano artistry. The date, which became Baldwin’s ninth album to hit the Billboard Top 20, also benefits from his soothing tenor voice, bass, drums, percussion, Moog bass, Melodica, strings and clave contributions.

 

Beyond his 23-album recording career, Baldwin produces, hosts and nationally syndicates ”The NewUrbanJazz Lounge” radio show, leads a production and event planning company, designs and markets a line of men’s hats and has authored two informational books about the music industry.

Source:  Great Scott P.R.oductions

Third Barbados Jazz Excursion adds exotic encounters to provide intimate experiences on the Caribbean island

Soul-jazz saxophonist Elan Trotman has always taken great pride in his Barbadian roots. A few years ago, the Boston-based artist leapt at the opportunity to showcase the cozy Eastern Caribbean locale by creating and hosting a Columbus Day Weekend jazz festival on the island, inviting a handful of contemporary jazz chart-toppers to share the marquee. This October 7-10, the native son returns home for his third annual Barbados Jazz Excursion at the plush Crane Resort with perhaps the strongest talent lineup yet, a fresh itinerary of unique excursions and a golf tournament to benefit Trotman’s newly formed Never Lose Your Drive Foundation, which raises funds for a local music program that provides students with regular music instruction from local tutors and quarterly faculty visits from the prestigious Berklee College of Music and other college professors. After all, it was the government of Barbados that awarded Trotman a scholarship to study at Berklee College of Music where he launched his own music career.

Joining Trotman at this year’s Barbados Jazz Excursion is four-time GRAMMY®-nominated R&B/pop vocalist Jeffrey Osborne, guitar-slinging hitman Peter White, award-winning keyboardist Brian Simpson and urban-jazz flutist Althea Rene. Local musicians will be featured during a Bajan All-Star Night performance and devout guests can celebrate Sunday at a gospel brunch.

“The Barbados Jazz Excursion is designed to be an island festival unlike any other with world-class talent, a wide range of land and sea excursions for our guests’ enjoyment and non-stop fun at the Crane Resort. Our excursions are purposely intended for people to discover Barbados through a local’s eyes. I’m especially excited about launching my new foundation, Never Lose Your Drive. The NLYD Celebrity Golf Tournament brings together music and sports celebrities on the links to raise funds in support of our local music program at the Never Lose Your Drive Community Center,” said Trotman, a popular performer on the contemporary jazz circuit known for incorporating Caribbean culture into his distinctive blend of R&B, jazz and gospel recordings that have earned him a consistent presence on the Billboard Top 10 singles chart.

While live music occupies the primetime slot during the festival evenings, the daytime and post-concert timeframes are for discovering Barbados through exclusive excursions. Guests can dive deeply to glimpse the colorful life aquatic on the Atlantis Submarine Tour; take an Island Safari adventure; go underground to explore Harrison’s Cave where caverns and massive crystal formations will leave you marveling; rest, rejuvenate or recreate during a Beach Day at the Boatyard; sail away on a sunset catamaran cruise; hit The Gap to partake in the vibrant nightlife that includes fine dining, street vendors and multicultural exchanges; and play golf with Trotman, Osborne and other celebrities while basking in glorious sunshine under brilliant blue skies amidst breathtaking vistas and lush tropical landscapes.

On October 10, former New York Knick John Starks, singer Javier Colon, actress/singer Suzzanne Douglas and other celebrities and sports figures are expected to attend the Golf With A Cause Celebrity Tournament at the Royal Westmoreland and the Never Lose Your Drive Foundation Reception & Silent Auction. The next day, a NLYD seminar and panel discussion will be held for student musicians and athletes.

The Crane Resort, located less than three miles from Grantley Adams International Airport, is set on Crane Beach, which has been called one of the 10 best beaches in the world on “Lifestyles of the Rich & Famous,” named by the Travel Channel as one of the Top 25 sexiest beaches in the world and voted last year by USA Today readers as the “best Caribbean beach” for its stunning beauty and serenity.

For more information or to purchase a Barbados Jazz Excursion package, please visit http://barbadosjazzexcursion.com/.

Source:  Great Scott P.R.oductions

View From The West Coast – A New Music Magazine

Westcoast

This new magazine is for all the drifters and dreamers that remember when you had radio stations that championed the Doobie Brothers, Steely Dan, Hall & Oates, Player, Andy Gibb and Patsy Gallant. My love of this era has finally made me start this publication and celebrate a rich seam of largely forgotten music and gentle AM/FM grooves from a bygone era.

We know that this music is still being made and getting played on web based music stations and blogs such as West Coast Golden Radio, Soma FM and the wonderful AOR Disco. They are not only keeping this music alive, they are also helping us find great new tunes and mixing them with old classics every week. Songs that are certain to get retired dancing feet tapping again… So, on that note let me welcome you to View From The West Coast. We are an online magazine, that will feature the best new music releases and reissues, interviews and information about artists and bands, from both the
past to the present and getting you to look that little bit deeper into your old vinyl collection or plunder youtube to listen to some of the long forgotten gems that we are so passionate about.
We’ll also be giving you links to some great music via our guests playlist page and this month we are delighted to have Mark ‘Good Vibes’ Taylor bringing us the background for for his chosen tracks, which you can find on our Facebook page.

And every issue will have an exclusive podcast included, with a special ‘View From The West Coast’ radio show presented by legendary smooth grooves and fusion flavours DJ, Steve Quirk.

………………………….

So, as we take that L.A. flight home, we are just going to close our eyes and dream of breezing along that stretch of the pacific coast highway in our open top convertible, as we watch the sun dip down across the bay and reflect on paradise. And it’s here you’ll find our staring point…Enjoy!

Nick Mawson

Purchase your issue here. Available Now: Issue 2 ‘View From The West Coast’ Magazine. Order Directly via Facebook.
Cost: £4.00 + P & P

Bob Baldwin – MelloWonder / Songs in the Key of Stevie

Mellowonder

After two years in the making, MelloWonder / Songs in the Key of Stevie will take flight on June 6, with a single dropping in April…stay tuned.

This is a continuing fundraiser to cover recording expenses of “MelloWonder”, a tribute to Stevie Wonder, due out this May/June. The disc features Chieli Minucci, U-Nam, Marion Meadows, Ryan Kilgore, Ragan Whiteside, Toni Redd, and more….

It is no secret that the digital music landscape combined with the social networks available to artists has prompted massive changes in the way people listen to and deliver musical content to their listeners. With that paradigm shift in full effect, top selling artists have gone the route of crowd-funding to raise funds for independent project.

For the first time, Baldwin has incorporated a string ensemble to his 21st and upcoming disc. Over $20,000.00 has been personally vested into the project to date.

If you want to buy the CD or just support Bob’s project go to this fundraiser site.

Jazz royalty “Open Up” “The Vault” to help departed friend’s family

TheVault

A few days prior to New Year’s Day, the day guitarist Jeff Golub passed away at age 59, his frequent collaborators Steven Miller, Rick Braun and Bud Harner put the finishing touches on Golub’s 13th solo album, “The Vault,” a collection of previously unreleased songs and reimagined early career gems that were redecorated with the assistance of some of the artist’s high-profile musician friends. Everyone involved with creating the album that was released today by eOne Music – musicians, producers, songwriters, engineers, mixers, mastering, graphic artists, etc. – donated their time to the project so that all of the money generated by record sales can go to Golub’s family.

One of the new cuts, “Open Up,” featuring the soulful Golub boisterously shredding over a trademark jazzy blues-rock groove produced by Jeff Lorber, debuted last week in the Top 20 of Billboard’s smooth jazz singles chart boding to become the next addition to the artist’s catalogue of No. 1 singles.

“The Vault” is just the latest rallying of the music community to aid Golub, who succumbed to complications from Progressive Supranuclear Palsy (PSP), a rare, incurable and aggressive brain disease. Although he wasn’t officially diagnosed until last November, PSP stole his vision in the spring and summer of 2011. An all-star contingent played a sold-out benefit concert that autumn in Southern California to raise money to cover medical expenses. Golub’s motor skills rapidly began to deteriorate while touring in 2013 in support of his final set of all new material, “Train Keeps A Rolling,” and eventually left him unable to play his beloved instrument. After his passing, nearly two dozen prominent recording artists gathered January 21 near the guitarist’s New York City home to play a sold-out tribute benefit concert at B.B. King Blues Club & Grill. Many of the musicians who appeared on that high-wattage bill perform on “The Vault,” including Dave Koz, Kirk Whalum, Mindi Abair, Richard Elliot, Bill Evans, Philippe Saisse, Steve Ferrone and Braun. Additional album contributors were hitmen Gerald Albright, Brian Culbertson, Euge Groove, Boney James and Peter White.

The ten-track “The Vault” consists of vastly different versions of seven Golub songs harvested from seminal album releases that were given a fresh twist by the guest artists personally selected by Golub; a soul-stirring live version of the Golub classic “Naked City”; and two previously unreleased selections, “Open Up” and the Saisse-produced “Swagster,” a sweltering swing sparked by Golub’s scalding guitar and Whalum’s impassioned sax wails.

To help set the stage for “The Vault,” SmoothJazz.com hosted the world premiere of the record on March 28 along with interviews with the guest artists and producers. Last Sunday’s (March 29) episode of Koz’s radio show that airs nationally on SiriusXM’s Watercolors was devoted to the album spotlighted by interview segments with Abair and Braun, and played multiple tunes from the disc. On April 15, SiriusXM’s Watercolors will broadcast the entire Golub all-star tribute concert.

Golub began his career as an ace guitar slinger alongside superstars Rod Stewart, Billy Squier, Peter Wolf and Tina Turner before launching his own chart-topping band, Avenue Blue, leading to his star-making solo career. The Akron, Ohio native is survived by his wife Audrey Stafford Golub, and sons Matthew (14) and Chris (12).

“The Vault” contains the following songs:

“Funky Is As Funky Does”

“One More Excuse To Play The Blues”

“Open Up”

“Gimmie Some”
“Swagster”

“Keep The Ball Rolling”

“Jeff’s Blues (Mama Didn’t)”

“Groanin”

“Atlanta Nights”

“Naked City” (Live)

For additional information about Golub, go to http://jeffgolub.com.

Source: Great Scott Productions