After nearly twenty years as a recording artist plus four months of persistence, patience and promotional pushing from his new record label, soul-jazz saxophonist Isaac Edwards has hit the Billboard singles charts for the first time. Released in early February, “On The Town” finally debuted on the Billboard chart last week at No. 24. The funky R&B instrumental, Isaac’s first single after inking with Next Paradigm Records, was written by the saxman and produced by label head, Jacob Webb, who has produced several Billboard chart toppers.
As the world emerges from coronavirus restrictions, the marketplace – and the Billboard charts – have become quite crowded with new releases, especially from marquee artists, which makes Edwards’ chart debut that much more of an accomplishment.
“It has been a huge battle at radio this year with just about every A-lister releasing a track, sometimes more. Due to COVID, most of the artists were at home, not touring, and presumably finishing their tracks, and now they’re releasing them. To give you an idea of how hard it has been to hit the Billboard charts this year, this is our 19th week promoting the single at radio! It took this long to debut on Billboard, but we never gave up! It is rare for a single to take this long to hit the charts and there were lots of moments when we thought that we weren’t going to make it, but we did. Now we are on the chart with a bunch of A-listers,” said an excited Isaac.
“On The Town” features Isaac’s alto saxophone engaging in a discourse with Randall Haywood’s flugelhorn. The groove is anchored by drummer Kevin Bowden and Webb’s rubbery basslines with melodies added by Webb’s keyboards and programming along with Sonny Dumarsais’ piercing electric guitar riffs. COVID precautions and geographic distance required that all of the tracks except for sax to be recorded at Webb’s New York studio compound while the saxophone tracks were laid down in a vocal booth set up in Edwards’ San Diego home.
Edwards has released three albums since the early 2000s, juggling his desire to be a jazz musician with busy days in court as a litigation attorney. His recording projects have incorporated jazz, R&B, pop, rock and gospel, and have included collaborations with GRAMMY-winning saxophonist Kirk Whalum, multiple GRAMMY nominee Darren Rahn, and Joel Kibble, a 10-time GRAMMY-winning member of Take 6. Edwards’ 2002 gospel-jazz album, “Here,” was nominated for a Vibe Award, Canada’s Dove Awards equivalent. He studied under the tutelage of noted saxophonists Eric Marienthal and Jeff Clayton and has opened concerts for multiple GRAMMY winners Amy Grant and Michael W. Smith.
Last July, Edwards dropped the independent single, “Bird Rock,” which not only garnered national airplay from SiriusXM’s Watercolors, but captured Webb’s attention, leading to the recording pact with Next Paradigm.
“The title for ‘On The Town’ came to me during the recording process. I had just signed the record deal and it made me think that I had really stepped up my game. I have released albums and singles before, but this is the first time I had a label behind me. I guess you could say that it made me feel like I was really on the music scene, or ‘on the town,’” said Edwards.
For more information, please visit https://isaacedwardsmusic.com.
Source: Great Scott Productions
Smooth Jazz Life 