The story behind Dave Bradshaw’s development as a contemporary urban jazz artist after years as a renowned, very versatile sideman in Southern California is as poignant as “Jumpstep” is uplifting. For 13 years, he was a member of the Al Williams Jazz Society, a popular, multi-faceted ensemble led by the popular jazz drummer and jazz promoter, known for their regular gigs at Spaghettini in Seal Beach and rousing annual performances at the Long Beach Jazz Festival. The keyboardist had the pleasure of opening for genre greats like Kenny G and Brian Culbertson; he was often inspired by their success and felt like he had the potential to become an artist and performer in his own right. But at some point, while continuing at the top of his game technically, he started feeling like he was losing his passion for music.
The passing of Bradshaw’s father in 2010 changed everything, making him realize like never before that time was quickly passing by and if he wanted to pursue deeper dreams, this was the time. Composing became a necessary catharsis, and he began putting all of his intense emotions over his dad’s loss into music. Excited by what he was writing, he invested in DAW (Digital Audio Workstation) software and started making his own beats and tracks. He was encouraged by many of his musical cohorts to do a recording. He started off very DIY, printing his own CDs with graphics he created himself.
His first album was Set Me Free (2016), followed by Flipside (2018). From his new album comes Latina Love featuring the Earth, Wind & Fire Horns.
Listen to Latina Love on Smooth Jazz Buzz (Playlist 8/4).